The other day, I was saying how I should have been a playwright. All my formative reading was in plays. I used to go to the library when I was 15 or so and get out stacks of plays a foot high and sit in my room all night reading one after another. I know, I was the coolest teenager ever.
Anyway, if I were more inclined toward plot-oriented fiction, I might have gone down the playwright path. But after reading this article in the NYTimes, I’m glad I didn’t. Apparently, there is a gender bias against female playwrights in the theater.
At least, that’s according to a three-part Princeton study looking into whether “women who are authors have a tougher time getting their work staged than men.” Short answer: They do. And shockingly, at least to me, it’s the female artistic directors and literary managers who are doing the discriminating.
Ms. Sands [who headed the study] sent identical scripts to artistic directors and literary managers around the country. The only difference was that half named a man as the writer (for example, Michael Walker), while half named a woman (i.e., Mary Walker). It turned out that Mary’s scripts received significantly worse ratings in terms of quality, economic prospects and audience response than Michael’s. The biggest surprise? “These results are driven exclusively by the responses of female artistic directors and literary managers,” Ms. Sands said.
… Ms. Sands put it another way: “Men rate men and women playwrights exactly the same.”
Fascinating. And … disturbing. Less surprisingly, this is also the fault of the female playwrights. There are fewer of them, they produce less work than the men, and the quality of their work seems to be lower. That makes sense if they are working against a bias–it takes a lot of nerve to write knowing that is against you.
Still, despite that, plays by female playwrights make more money than plays by men: “Plays and musicals by women sold 16 percent more tickets a week and were 18 percent more profitable over all.”
“Yet even though shows written by women earned more money, producers did not keep them running any longer than less profitable shows that were written by men.”
Pretty surprising stuff. Depressing too. However, I still refuse to watch a staging of The Vagina Monologues.